Banished from his native Scotland by a curious clause in his father’s will, Donald Cameron moves to London and decides to conduct a study of the English people; a strange race who, he is told, have built an entire national identity around a reverence for team spirit and the memory of Lord Nelson....

What follows is one of the funniest social satires ever written. Whether Cameron is haplessly participating in a village cricket match, being shown around an exclusive golf course, or trying to watch a rugby match in the thick London fog, his affectionately bemused portrait of his new countrymen is a joy to read.

Reminiscent of the gentle wit of P. G. Wodehouse and Jerome K. Jerome, England, Their England offers a delightful portrait of Britain in the 1920s.

In this delightful and delicious book, Calvin Trillin, guided by an insatiable appetite, embarks on a hilarious odyssey in search of “something decent to eat.” Across time zones and cultures, and often with his wife, Alice, at his side, Trillin shares his triumphs in the art of culinary discovery, including Dungeness crabs in California, barbecued mutton in Kentucky, potato latkes in London, blaff d’oursins in Martinique, and a $33 picnic on a no-frills flight to Miami. His eating companions include Fats Goldberg, the New York pizza baron and reformed blimp; William Edgett Smith, the man with the Naughahyde palate; and his six-year-old daughter, Sarah, who refuses to enter a Chinese restaurant unless she is carrying a bagel (“just in case”). And though Alice “has a weird predilection for limiting our family to three meals a day,” on the road she proves to be a serious eater–despite “seemingly uncontrollable attacks of moderation.”

"It began as a mistake." By middle age, Henry Chinaski has lost more than twelve years of his life to the U.S. Postal Service. In a world where his three true, bitter pleasures are women, booze, and racetrack betting, he somehow drags his hangover out of bed every dawn to lug waterlogged mailbags up mud-soaked mountains, outsmart vicious guard dogs, and pray to survive the day-to-day trials of sadistic bosses and certifiable coworkers. This classic 1971 novel—the one that catapulted its author to national fame—is the perfect introduction to the grimly hysterical world of legendary writer, poet, and Dirty Old Man Charles Bukowski and his fictional alter ego, Chinaski.

Ted Fullilove, aka Mr. Peanut, is not like other Ivy League grads. He shares an apartment with Goldberg, his beloved battery-operated fish, sleeps on a bed littered with yellow legal pads penned with what he hopes will be the next great American Novel, and spends the waning days of the Carter administration at Yankee Stadium, waxing poetic while slinging peanuts to pay the rent.

When Ted hears the news that his estranged father, Marty, is dying of lung cancer, he immediately moves back into his childhood home, where a whirlwind of revelations ensues. The browbeating absentee father of Ted’s youth tries to make up for lost time, but his health dips drastically whenever his beloved Red Sox lose. And so, with help from Mariana—the Nuyorican grief counselor with whom Ted promptly falls in love—and a crew of neighborhood old-timers, Ted orchestrates the illusion of a Boston winning streak, enabling Marty and the Red Sox to reverse the Curse of the Bambino and cruise their way to World Series victory. Well, sort of.

David Duchovny’s richly drawn Bucky F*cking Dent explores the bonds between fathers and sons and the age-old rivalry between Yankee fans and the Fenway faithful, and grapples with our urgent need to persevere—and risk everything—in the name of love. Culminating in that fateful moment in October of ’78 when the mighty Bucky Dent hit his way into baseball history with the unlikeliest of home runs, this tender, insightful, and hilarious novel demonstrates how life truly belongs to the losers, and that the long shots are the ones worth betting on.

Bucky F*cking Dent is a singular tale that brims with the mirth, poignancy, and profound solitude of modern life.

In this hilarious novel, written in the voice of eighth-grader Wyatt Palmer, Dave Barry takes us on a class trip to Washington, DC. Wyatt, his best friend, Matt, and a few kids from Culver Middle School find themselves in a heap of trouble—not just with their teachers, who have long lost patience with them—but from several mysterious men they first meet on their flight to the nation's capital. In a fast-paced adventure with the monuments as a backdrop, the kids try to stay out of danger and out of the doghouse while trying to save the president from attack—or maybe not.

Joe Mondragon, a feisty hustler with a talent for trouble, slammed his battered pickup to a stop, tugged on his gumboots, and marched into the arid patch of ground. Carefully (and also illegally), he tapped into the main irrigation channel. And so began-though few knew it at the time-the Milagro beanfield war. But like everything else in the dirt-poor town of Milagro, it would be a patchwork war, fought more by tactical retreats than by battlefield victories. Gradually, the small farmers and sheepmen begin to rally to Joe's beanfield as the symbol of their lost rights and their lost lands. And downstate in the capital, the Anglo water barons and power brokers huddle in urgent conference, intent on destroying that symbol before it destroys their multimillion-dollar land-development schemes. The tale of Milagro's rising is wildly comic and lovingly tender, a vivid portrayal of a town that, half-stumbling and partly prodded, gropes its way toward its own stubborn salvation.

When winter’s done, but spring has not yet fully-sprung, much of Alaska turns to slush. Locally, it’s called “breakup,” and it’s a… messy time of year. It’s certainly messy for Kate Shugak; between doing her taxes, being chased by grizzlies and getting shot-at by feuding families, she has to cope with an NTSB investigation that hits very close to home. Then, of course, there’s the body in the woods. And up at the old mining town. And… being Kate Shugak, somehow she can’t leave well enough alone, and begins to tease-apart a well-planned and surprising crime.

She is the story of Cambridge professor Horace Holly and his ward Leo Vincey, and their journey to a lost kingdom in the African interior. The journey is triggered by a mysterious package left to Leo by his father, to be opened on his 25th birthday; the package contains an ancient shard of pottery and several documents, suggesting an ancient mystery about the Vincey family. Holly and Leo eventually arrive in eastern Africa where they encounter a primitive race of natives and a mysterious white queen, Ayesha, who reigns as the all-powerful "She" or "She-who-must-be-obeyed" and who has a mysterious connection to young Leo.

The story expresses numerous racial and evolutionary conceptions of the late Victorians, especially notions of degeneration and racial decline prominent during the fin de siècle. In the figure of She, the novel notably explored themes of female authority and feminine behaviour. It has received praise and criticism alike for its representation of womanhood.

This classic work of science fiction is widely considered to be the ultimate time-travel novel. When Daniel Eakins inherits a time machine, he soon realizes that he has enormous power to shape the course of history. He can foil terrorists, prevent assassinations, or just make some fast money at the racetrack. And if he doesn't like the results of the change, he can simply go back in time and talk himself out of making it! But Dan soon finds that there are limits to his powers and forces beyond his control.

Jane Eyre is a nineteenth century proto feminist novel by Charlotte Bronte. It is a radical story of Jane Eyre, an unwanted orphan girl who is sent to live in a charity school by her aunt. Here she overcomes oppression to emerge a mature woman and lead life on her own terms. As an independent woman, she goes to Thornfield Hall as a governess, where she falls in love with the owner. However, it is on her most important day in life that she must take a difficult decision, which would change her life forever and of people around her.

Wimseys mother, the Dowager Duchess of Denver, rings her son with news of such a quaint thing. She has heard through a friend that Mr. Thipps, a respectable Battersea architect, found a dead man in his bathwearing nothing but a gold pince-nez. Lord Wimsey makes his way straight over to Mr. Thipps, and a good look at the body raises a number of interesting questions. Why would such an apparently well groomed man have filthy black toenails, flea bites and the scent of carbolic soap lingering on his corpse? Then comes the disappearance of oil millionaire Sir Reuben Levy, last seen on the Battersea Park Road. With his beard shaved he would look very similar to the man found in the bath, but is Sir Levy really dead?

From FadedPage:

"Whose Body" is something of an apprentice work. Lord Peter is here more a bundle of characteristics than a character: a collector of rare books and incunabula, facile with quotations, fluent in French and probably in Latin, a skillful and sensitive pianist who never needs to practise, slightly built but possessed of "curious" strength and speed which he maintains without exercise. Over subsequent books, this caricature smooths and deepens into one of the most interesting and attractive detectives in fiction.
In spite of its awkwardness, Whose Body is worth reading. The plot is clever, the villain is believable and sadistic, and most of the supporting characters are a delight. Some of these characters are further developed in later novels: Bunter, Parker, the Dowager Duchess, Freddy Arbuthnot. Others fortunately are not. Sayers is much better with people she might recognise as "like us" then with people from other social groups.

From Goodreads:

The stark naked body was lying in the tub. Not unusual for a proper bath, but highly irregular for murder -- especially with a pair of gold pince-nez deliberately perched before the sightless eyes. What's more, the face appeared to have been shaved after death. The police assumed that the victim was a prominent financier, but Lord Peter Wimsey, who dabbled in mystery detection as a hobby, knew better. In this, his first murder case, Lord Peter untangles the ghastly mystery of the corpse in the bath.

Denis Stone, a naive young poet, is invited to stay at Crome, a country house renowned for its gatherings of 'bright young things'. His hosts, Henry Wimbush and his exotic wife Priscilla, are joined by a party of colourful guests whose intrigues and opinions ensure Denis's stay is a memorable one. First published in 1921, Crome Yellow was Aldous Huxley's much-acclaimed debut novel.

First published in 1921, Crome Yellow was Aldous Huxley's much-acclaimed debut novel. With the evident relish of the true satirist, he mocked the fads, foibles and spirit of his time with an unsurpassed wit and brilliance.

A High Wind in Jamaica is not so much a book as a curious object, like a piece of driftwood torqued into an alarming shape from years at sea. And like driftwood, it seems not to have been made, exactly, but simply to have come into being, so perfectly is its form married to its content. The five Bas-Thornton children must leave their parents in Jamaica after a terrible hurricane blows down their family home. Accompanied by their Creole friends, the Fernandez children, they board a ship that is almost immediately set upon by pirates. The children take to corsair life coolly and matter-of-factly; just as coolly do they commit horrible deeds, and have horrible deeds visited upon them. First published in 1929, A High Wind in Jamaica has been compared to Lord of the Flies in its unflinching portrayal of innocence corrupted, but Richard Hughes is the supreme ironist William Golding never was. He possesses the ability to be one moment thoroughly inside a character's head, and the next outside of it altogether, hilariously commenting.
Irony finds a happy home indeed in the book's mixture of the macabre and the adorable. The baby girl, Rachel, "could even sum up maternal feelings for a marline-spike, and would sit up aloft rocking it in her arms and crooning. The sailors avoided walking underneath: for such an infant, if dropped from a height, will find its way through the thickest skull (an accident which sometimes befalls unpopular captains)." In that "such an infant" lies a world of mordant wit. In fact, throughout, Hughes's wildly eccentric punctuation and startling syntax make just the right verbal vehicle for this dark-hearted pirate story for grownups.

Hughes enjoys some coy riffing on the child mind, as with this description of the way Emily handles an uncomfortable social situation: "Much the best way of escaping from an embarrassing rencontre, when to walk away would be an impossible strain on the nerves, is to retire in a series of somersaults. Emily immediately started turning head over heels up the deck." Even so, Hughes never sentimentalizes his subject: "Babies of course are not human--they are animals, and have a very ancient and ramified culture, as cats have, and fishes, and even snakes." Children, as a race, are given rough treatment: "their minds are not just more ignorant and stupider than ours, but differ in kind of thinking (are mad, in fact)." That madness is here isolated, prodded, and poked to chilling effect. But Hughes never loses sight of his ultimate objective: A High Wind in Jamaica is, above all, a cracking good yarn.

~ Claire Dederer

His exploits were legendary...

Captain John Staple, back from the battlefront, is already bored with his quiet civilian life in the country. When he stumbles upon a mystery involving a disappearing toll-gate keeper, nothing could keep the adventure-loving captain from investigating.

But winning her will be his greatest yet...

The plot thickens when John encounters the enigmatic Lady Nell Stornaway and soon learns that rescuing her from her unsavory relatives makes even the most ferocious cavalry charge look like a particularly tame hand of loo. Between hiding his true identity from Nell and the arrival in the neighborhood of some distinctly shady characters, Captain Staple finds himself embarked on the adventure-and romance-of a lifetime.

From Goodreads:

Captain John Staple's exploits in the Peninsula had earned him the sobriquet 'Crazy' Jack amongst his fellows in the Dragoon Guards. Now home from Waterloo, life in peacetime is rather dull for the boisterous, adventure-loving Captain. But when he finds himself lost and benighted at an unmanned toll-house in the Pennines, his soldiering days suddenly pale away besides an adventure - and romance - of a lifetime.

Yet again Georgette Heyer shows the qualities that made her one of the most successful and best-loved romantic novelists of her age, and why her popularity endures to this day.