Robert Fortune was a Scottish gardener, botanist, plant hunter - and industrial spy. In 1848, the East India Company engaged him to make a clandestine trip into the interior of China - territory forbidden to foreigners - to steal the closely guarded secrets of tea. For centuries, China had been the world's sole tea manufacturer. Britain purchased this fuel for its Empire by trading opium to the Chinese - a poisonous relationship Britain fought two destructive wars to sustain. The East India Company had profited lavishly as the middleman, but now it was sinking, having lost its monopoly to trade tea. Its salvation, it thought, was to establish its own plantations in the Himalayas of British India. There were just two problems: India had no tea plants worth growing, and the company wouldn't have known what to do with them if it had. Hence Robert Fortune's daring trip. The Chinese interior was off-limits and virtually unknown to the West, but that's where the finest tea was grown - the richest oolongs, soochongs and pekoes. And the Emperor aimed to keep it that way.

Every year from 1921 to 1939, the vessels involved in the grain trade would strive to find the shortest, fastest passage home from Australia to Britain – "the grain race" – in the face of turbulent seas, atrocious weather conditions and hard graft.

In 1938 an eighteen-year-old boy signed on for the round trip from Europe to Australia in the last commercial sailing fleet to make that formidable journey. The Last Grain Race is Eric Newby's spell-binding account of his time spent on the Moshulu's last voyage in the Australian grain trade.

As always, Eric Newby's sharp eye for detail captures the hardships, danger, squabbles, companionship and sheer joy of shipboard life - bedbugs, ferocious storms, eccentric Finnish crew and all. By pure chance, Eric witnessed the passing of the era of sail, and his tale is all the more significant for being the last of its kind.

A counter-terror operation, codenamed Wildlife, is being mounted in Britain's most precious colony, Gibraltar. Its purpose: to capture and abduct a high-value jihadist arms-buyer. Its authors: an ambitious Foreign Office Minister, and a private defence contractor who is also his close friend. So delicate is the operation that even the Minister's Private Secretary, Toby Bell, is not cleared for it.

Suspecting a disastrous conspiracy, Toby attempts to forestall it, but is promptly posted overseas. Three years on, summoned by Sir Christopher Probyn, retired British diplomat, to his decaying Cornish manor house, and closely watched by Probyn's daughter Emily, Toby must choose between his conscience and his duty to the Service.

If the only thing necessary for the triumph of evil is that good men do nothing, how can he keep silent?

'No other writer has charted - pitilessly for politicians but thrillingly for readers - the public and secret histories of his times, from the Second World War to the 'War on Terror'' Guardian

'The master of the modern spy novel returns . . . this is writing of such quality that - as Robert Harris put it - it will be read in one hundred years. John le Carré was never a spy-turned-writer, he was a writer who found his canvas in espionage, as Dickens did in other worlds. The two men deserve comparison' Daily Mail

'A brilliant climax, with sinister deaths, casual torture, wrecked lives and shameful compromises' Observer

'With A Delicate Truth, le Carré has in a sense come home. And it's a splendid homecoming . . . the novel is the most satisfying, subtle and compelling of his recent oeuvre' The Times

Assistant Trader Jethri Gobelyn is an honest, hardworking young Terran who knows a lot about living onboard his family's space going trade ship 'Gobelyn's Market', something about trade, finance, and risk taking and a little bit about Liadens.

Oddly enough, it's the little bit he knows about Liadens that seems likely to make his family's fortune—and his own. In short order, however, Jethri Gobelyn is about to learn a lot more about Liadens . . . like how far they might go to protect their name and reputation. Like the myriad of things one might say—intentionally or not—with a single bow. Like how hard it is to say "I'm sorry!" in Liaden. Like how difficult it is to deal with a beguiling set of Liaden twins who may very well know exactly what he's thinking . . . . Soon it became clear that as little as he knew about Liadens, he knew far less about himself. With his very existence a threat to the balance of trade, Jethri needs to learn fast, or become a pawn in a game that will destroy all he has come to hold dear.

Lee and Miller's award-winning Liaden Universe® series has garnered high praise for master level world building, deft characterization, and action-packed plots. These are not characters. They are real people, whose lives we have been privileged to share.
—Jennifer Dunne, SFRomance

According to Wikipedia, Emma "is a novel about youthful hubris and the perils of misconstrued romance." and:

Austen explores the concerns and difficulties of genteel women living in Georgian–Regency England; she also creates a lively comedy of manners among her characters and depicts issues of marriage, gender, age, and social status.

<snip> Emma is spoiled, headstrong, and self-satisfied; she greatly overestimates her own matchmaking abilities; she is blind to the dangers of meddling in other people's lives; and her imagination and perceptions often lead her astray.

The Guardian says:

In January 1814, Jane Austen sat down to write a revolutionary novel. Emma, the book she composed over the next year, was to change the shape of what is possible in fiction.

Set in Germany in the course of a week in October, 1936, “The Seventh Cross” follows the heart-pounding escape of seven political prisoners from the fictional concentration camp Westhofen, not far from Mainz and Frankfurt... The escapees might seek out their families and friends, but they risk being turned in by unknown Gestapo informers, or, worse, having their loved ones arrested and sent to camps themselves. George Heisler, the novel’s protagonist, finds that all the people in his former life have “been turned into a network of living traps.”

QUOTE]The Dream

She is twenty, beautiful, dirt-poor, and hoping for a better life for her infant daughter when LuAnn Tyler is offered the gift of a lifetime, a $100 million lottery jackpot. All she has to do is change her identity and leave the U.S. forever.

The Killer

It's an offer she dares to refuse...until violence forces her hand and thrusts her into a harrowing game of high-stakes, big-money subterfuge. It's a price she won't fully pay...until she does the unthinkable and breaks the promise that made her rich.

The Winner

For if LuAnn Tyler comes home, she will be pitted against the deadliest contestant of all: the chameleonlike financial mastermind who changed her life. And who can take it away at will...[/q_index]

Mark Twain’s satiric novel about two boys who trade places in Tudor England—written “for young people of all ages”—was his first foray into historical fiction.

Set in 1547, The Prince and the Pauper brings together Tom Canty, an impoverished urchin who lives with his abusive father in London’s filthiest streets, and pampered Prince Edward, the son of King Henry VIII. Noticing their uncanny resemblance, the two boys trade clothes on a whim. While Tom lives in the lap of luxury and finds he has a knack for rendering wise judgments, the ragged Prince Edward roams the city and discovers firsthand the misery of his poorest subjects’ lives. But when the king dies and Edward tries to claim his throne, he finds that changing places will be difficult to undo. In this rollicking tale, Twain’s scathing indictment of injustice comes richly clothed in his trademark humor and wit.

One of the great crime novels of the 20th century, Patricia Highsmith's The Talented Mr. Ripley is a blend of the narrative subtlety of Henry James and the self-reflexive irony of Vladimir Nabokov. Like the best modernist fiction, Ripley works on two levels. First, it is the story of a young man, Tom Ripley, whose nihilistic tendencies lead him on a deadly passage across Europe. On another level, the novel is a commentary on fictionmaking and techniques of narrative persuasion. Like Humbert Humbert, Tom Ripley seduces readers into empathizing with him even as his actions defy all moral standards.

The novel begins with a play on James's The Ambassadors. Tom Ripley is chosen by the wealthy Herbert Greenleaf to retrieve Greenleaf's son, Dickie, from his overlong sojourn in Italy. Dickie, it seems, is held captive both by the Mediterranean climate and the attractions of his female companion, but Mr. Greenleaf needs him back in New York to help with the family business. With an allowance and a new purpose, Tom leaves behind his dismal city apartment to begin his career as a return escort. But Tom, too, is captivated by Italy. He is also taken with the life and looks of Dickie Greenleaf. He insinuates himself into Dickie's world and soon finds that his passion for a lifestyle of wealth and sophistication transcends moral compunction. Tom will become Dickie Greenleaf--at all costs.

Unlike many modernist experiments, The Talented Mr. Ripley is eminently readable and is driven by a gripping chase narrative that chronicles each of Tom's calculated maneuvers of self-preservation. Highsmith was in peak form with this novel, and her ability to enter the mind of a sociopath and view the world through his disturbingly amoral eyes is a model that has spawned such latter-day serial killers as Hannibal Lecter. --Patrick O'Kelley

In the far future, humans have colonized a distant planet, home to the enigmatic Ariekei, sentient beings famed for a language unique in the universe, one that only a few altered human ambassadors can speak.

Avice Benner Cho, a human colonist, has returned to Embassytown after years of deep-space adventure. She cannot speak the Ariekei tongue, but she is an indelible part of it, having long ago been made a figure of speech, a living simile in their language.

When distant political machinations deliver a new ambassador to Arieka, the fragile equilibrium between humans and aliens is violently upset. Catastrophe looms, and Avice is torn between competing loyalties—to a husband she no longer loves, to a system she no longer trusts, and to her place in a language she cannot speak yet speaks through her.

Based on a true story, this never-before-translated masterpiece was overlooked for years after its author—a bestselling writer before World War II who found himself in a Nazi insane asylum at war’s end—died just before it was published.

In a richly detailed portrait of life in Berlin under the Nazis, it tells the sweeping saga of one working-class couple who decides to take a stand when their only son is killed at the front. With nothing but their grief and each other against the awesome power of the Third Reich, Otto and Anna Quangel launch a simple, clandestine resistance campaign that soon has an enraged Gestapo on their trail, and a world of terrified neighbors and cynical snitches ready to turn them in.

In the end, Every Man Dies Alone is more than an edge-of-your-seat thriller, more than a moving romance, even more than literature of the highest order—it’s a deeply stirring story of two people standing up for what’s right, and for each other.

This edition includes an afterword detailing the gripping history of the book and its author, including excerpts from the Gestapo file on the real-life couple that inspired it.

In the spring of 1860, Fabrizio, the charismatic Prince of Salina, still rules over thousands of acres and hundreds of people, including his own numerous family, in mingled splendour and squalor. Then comes Garibaldi's landing in Sicily and the Prince must decide whether to resist the forces of change or come to terms with them.

This is a book translated from Italian into English, but of course it is also about the loss of a way of life and coming to terms with change.

Goodreads:

A groundbreaking work of science fiction, The Left Hand of Darkness tells the story of a lone human emissary to Winter, an alien world whose inhabitants can choose -and change - their gender. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the completely dissimilar culture that he encounters.

Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction.

In Kitchen, a young Japanese woman named Mikage Sakurai struggles to overcome the death of her grandmother. She gradually grows close to one of her grandmother's friends, Yuichi, from a flower shop and ends up staying with him and his transgender mother, Eriko.

The book works as translation on two levels - the language, and the misunderstood Erika who was struggling with being transgender in 1980s Japan.

A brilliant new translation of one of Simenon's best loved masterpieces.

'A certain furtive, almost shameful emotion ... disturbed him whenever he saw a train go by, a night train especially, its blinds drawn down on the mystery of its passengers'

Kees Popinga is a respectable Dutch citizen and family man. Then he discovers that his boss has bankrupted the shipping firm he works for - and something snaps. Kees used to watch the trains go by to exciting destinations. Now, on some dark impulse, he boards one at random, and begins a new life of recklessness and violence. This chilling portrayal of a man who breaks from society and goes on the run asks who we are, and what we are capable of.

'Classic Simenon ... extraordinary in its evocative power' Independent

Just for the record, The Chronicles of Clovis has nothing whatever to do with the legendary French king. It is a collection of 30 extremely wry and witty short stories written by the inimitable Saki (the pen name for H.H. Munro). The setting is in the midst of upper class English society during the Edwardian Period, the period between the Boer War and World War when the British Empire reached it's peak. Devotees of Downton Abbey will find themselves on familiar ground, save for the slightly disconcerting presence of Clovis. Clovis Sangrail, the nominal central character about whom these stories revolve, is a typical Saki hero: young, vain, effete, worldly, slightly cruel, a bit decadent and extremely witty.

Included in this collection are some of Saki's very best works, including "Mrs. Packleetide's Tiger", "The Background", "The Jesting of Arlington Stingham", "Tobermory", "Sredni Vastar", "The talking-Out of Tarrington", "Filboid Studge" and "The Secret Sin of Septimus Brope".

Both Saki, and the world about which he wrote so well, came to an end during with World War I. Nevertheless, few writers have ever been able to achieve Saki's level of irony, satire, wit and sophistication. It was a terrible loss, both to Britain and the reading public everywhere, when Saki was killed on the Western Front in 1916.

A timeless novel of adventure, intrigue, and romance is sparked by one man's defiance in the face of authority...

The year is 1792. The French Revolution, driven to excess by its own triumph, has turned into a reign of terror. Daily, tumbrels bearing new victims to the guillotine roll over the cobbled streets of Paris.... Thus the stage is set for one of the most enthralling novels of historical adventure ever written.

The mysterious figure known as the Scarlet Pimpernel, sworn to rescue helpless men, women, and children from their doom; his implacable foe, the French agent Chauvelin, relentlessly hunting him down; and lovely Marguerite Blakeney, a beautiful French exile married to an English lord and caught in a terrible conflict of loyalties--all play their parts in a suspenseful tale that ranges from the squalid slums of Paris to the aristocratic salons of London, from intrigue on a great English country estate to the final denouement on the cliffs of the French coast.

There have been many imitations of The Scarlet Pimpernel, but none has ever equaled its superb sense of color and drama and its irresistible gift of wonderfully romantic escape.

From Goodreads:

A. J. Fikry's life is not at all what he expected it to be. His wife has died; his bookstore is experiencing the worst sales in its history; and now his prized possession, a rare collection of Poe poems, has been stolen. Slowly but surely, he is isolating himself from all the people of Alice Island—from Chief Lambiase, the well-intentioned police officer who's always felt kindly toward him; from Ismay, his sister-in-law, who is hell-bent on saving A.J. from his dreary self; from Amelia, the lovely and idealistic (if eccentric) Knightley Press sales rep who persists in taking the ferry to Alice Island, refusing to be deterred by A.J.'s bad attitude. Even the books in his store have stopped holding pleasure for him. These days, he can only see them as a sign of a world that is changing too rapidly.

And then a mysterious package appears at the bookstore. It's a small package, though large in weight—an unexpected arrival that gives A.J. the opportunity to make his life over, the ability to see everything anew. It doesn't take long for the locals to notice the change overcoming A.J., for the determined sales rep Amelia to see her curmudgeonly client in a new light, for the wisdom of all those books to become again the lifeblood of A.J.'s world. Or for everything to twist again into a version of his life that he didn't see coming.

Winner of the Arthur Ellis Award for Best First Novel
A CBC Bookie Award: Mystery and Thriller, Finalist
A Quill & Quire Book of the Year
An Amazon.ca Editors’ Pick

In the first electrifying book of the series, Ian Hamilton introduces us to Ava Lee — the smartest, most stylish heroine in crime fiction since Lisbeth Salandar.

Ava Lee is a young Chinese-Canadian forensic accountant who works for an elderly Hong Kong–based “Uncle,” who may or may not have ties to the Triads. At 115 lbs., she hardly seems a threat. But her razorsharp intellect and resourcefulness allows her to succeed where traditional methods have failed.

In The Water Rat of Wanchai, Ava travels across continents to track $5 million owed by a seafood company. But it’s in Guyana where she meets her match: Captain Robbins, a huge hulk of a man and godfather-like figure who controls the police, politicians, and criminals alike. In exchange for his help, he decides he wants a piece of Ava’s $5 million action and will do whatever it takes to get his fair share . .

Long before Desperate Housewives, there was Bedelia: pretty, ultra femme, and "adoring as a kitten." A perfect housekeeper and lover, she wants nothing more than to please her insecure new husband, who can't believe his luck. But is Bedelia too good to be true?

A mysterious new neighbor turns out to be a detective on the trail of a "kitten with claws of steel"—a picture-perfect wife with a string of dead husbands in her wake. Caspary builds this tale to a peak of psychological suspense as her characters are trapped together by a blizzard. The true Bedelia, the woman who chose murder over a life on the street, reveals how she turns male fantasies of superiority into a deadly con.

"Vera Caspary's gift was perhaps more subtle, and deadly [than Jim Thompson, David Goodis, and Charles Willeford]." --Robert Polito, author of Savage Art: A Biography of Jim Thompson

"You must read Bedelia to see just how slick Miss Caspary's techique of soft-shoe terror can be--how frightening she can make the chatter at an innocent dinner party, the lure of a lady's deshabille, the glimpse of a black pearl in a dresser drawer." --The New York Times

"A sinister entertainment 'especially for admirers of the psychological horror story.'" --The New Yorker

"A tour de force of psychological suspense, Desperate Housewives meets Double Indemnity in Caspary's Bedelia." --Liahna Armstrong, President Emerita, Popular Culture Association

Deliciously funny, to use a Thirkellism. This book is absolutely perfect to read when you are feeling glum and under the weather -- it will make you laugh out loud. The upper-class characters at its centre are ridiculously wonderful, all so self-absorbed that they pay no attention to other people and are constantly getting hold of the wrong end of the stick. Lady Emily's attempts to organise everyone and everything are sensibly ignored by the lower-class characters who actually get things done. The bunch of French royalists seemed a bit of a bizarre idea, but just added to the joyful chaos. I think my favourite scene was the lunch in the restaurant with David, Joan and Mary -- sparks fly from Thirkell's pen in a positively Austenish way.

A summer at an English Country-house in the 1930s, with all the accompanying silliness and minor inconveniences and class issues that one might expect from such a setting. It is laugh-out-loud funny: there is a wonderfully irreverent joy in the foibles, idiocies, and innocent pleasures of minor gentry.