Romance MacGrath, Harold: Parrot & Co. V1. 16 Feb 2009

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Harold MacGrath (September 4, 1871 - October 30, 1932) was a bestselling American novelist, short story writer, and screenwriter.
Also known occasionally as Harold McGrath, he was born in Syracuse, New York. As a young man, he worked as a reporter and columnist on the Syracuse Herald newspaper until the late 1890s when he published his first novel, a romance titled "Arms and the Woman." According to the New York Times, his next book, "The Puppet Crown," was the No.7 bestselling book in the United States for all of 1901. From that point on, MacGrath never looked back, writing novels for the mass market about love, adventure, mystery, spies, and the like at an average rate of more than one a year. He would have three more of his books that were among the top ten bestselling books of the year. At the same time, he penned a number of short stories for major American magazines such as The Saturday Evening Post, Ladies Home Journal, and Red Book magazine. Several of MacGrath's novels were serialized in these magazines and contributing to them was something he would continue to do until his death in 1932.

Excerpt
It began somewhere in the middle of the world, between London which is the beginning and New York which is the end, where all things are east of the one and west of the other. To be precise, a forlorn landing on the west bank of the muddy turbulent Irrawaddy, remembered by man only so often as it was necessary for the flotilla boat to call for paddy, a visiting commissioner anxious to get away, or a family homeward-bound. Somewhere in the northeast was Mandalay, but lately known in romance, verse and song; somewhere in the southeast lay Prome, known only in guide-books and time-tables; and farther south, Rangoon, sister to Singapore, the half-way house of the derelicts of the world. On the east side of the river, over there, was a semblance of civilization. That is to say, men wore white linen, avoided murder, and frequently paid their gambling debts. But on this west side stood wilderness, not the kind one reads about as being eventually conquered by white men; no, the real grim desolation, where the ax cuts but leaves no blaze, where the pioneer disappears and few or none follow. The pioneer has always been a successful pugilist, but in this part of Burma fate, out of pure admiration for the pygmy's gameness, decided to call the battle a draw. It was not the wilderness of the desert, of the jungle; rather the tragic hopeless state of a settlement that neither progressed, retarded, nor stood still.

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