08-29-2012, 04:20 PM | #46 | |
Feral Underclass
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08-29-2012, 04:26 PM | #47 | |
Apprentice Curmudgeon.
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If he truly got both good and bad reviews it would be less dishonest, but as the system was biased toward positive reviews that issue doesn't come into it regardless of his claims. As for publishers and authors gaming the print media system, why do so many well established authors, including people like King and Patterson get reviews that point out that their work is degenerating - not as good as their earlier work? |
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08-29-2012, 04:29 PM | #48 | |
Grand Sorcerer
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That's why if Locke was willing to accept bad reviews with the good, for promotional purposes, I'd consider him one notch up on the honesty chart above traditional publishing practices. Edit: I will admit, though, that the service used actively encouraged positive reviews over negative, by its nature; so, not as even-handed as it could have been. Last edited by Steven Lyle Jordan; 08-29-2012 at 05:50 PM. |
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08-29-2012, 04:29 PM | #49 |
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The well known writers get paid for writing them. It's only the midlisters who do it for free, they do it just to get their name on a few extra covers. Well known writers don't need that, and will have more corporations asking for them.
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08-29-2012, 04:45 PM | #50 | |
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In the meantime, Locke has managed to garner notice and press in order to make a lot of money from his books; and he did it legally, in a way that might be considered morally suspect in any venue except the reality of marketing. If we can accept loud-mouthed hucksters, diva supermodels, badly-behaving rock stars, media-saturating entertainment conglomerates, actor scandals and wardrobe malfunctions, why not this? |
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08-29-2012, 06:37 PM | #51 |
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I'm appalled that anyone can think that buying a favorable review is acceptable for a self-pubber.
The practice of paid reviews is just one more strike against these self-professed authors. Who needs to hone the art and craft of writing, who needs to pay for competent editing and cover art--the hell with all that, just buy a glowing review! And then pretend it's the normal course of business and accuse the traditional publishers of doing the same thing, because ... well, there's no evidence that they do, but we all know how evil they are. A review is not a blurb and it's silly and disingenuous to lump them together. Of course traditional publishers cross-promote their authors with blurbs. So what? How many of you who are defending Locke have been adamant about the evils of piracy, and have accused the pirates of stealing the food right out of your mouths with their shenanigans? Is it all right, on the other hand, for the author to defraud the reader--to take the money from his pocket--by hiring a shill to lie about a shoddy, inferior product? |
08-29-2012, 06:57 PM | #52 | |
Maria Schneider
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I completely agree that No One--self pub'd or trad should pay for reviews. But long before self-publishing took off, Kirkus moved to have paid reviews be a big part of their reviewing. Several authors paid for reviews even though they were trad published. When Kirkus first started doing paid reviews, they didn't separate them from the non-paid reviews or mark them in any way (I don't know what they do now as I no longer read them.) Amazon stopped publishing Kirkus reviews as part of the "editorial reviews" because some of the reviews were paid and they don't 'reprint" paid reviews. Publishers Weekly now does paid reviews. I believe they mark them clearly. Keep in mind that whether trad published or self published, once a review has been done by such a large venue, it can be easily and readily quoted (and is). This lends an air of respectability to the author and it sells books. Should it be done? I'm not a fan of the practice. Would it help me sell books? Maybe, maybe not, but I've no plans to find out. Just as a side FYI, the Kirkus reviews cost 400 dollars. (I haven't checked in years, but that was the initial cost). Respectability does not come cheaply. It's been hinted at for years that the NYTimes tends to cover more books from the publisher who takes out the most ads. I'm sure that is just conjecture and it would be hard to prove. But I'm also sure that when a publisher is spending big bucks on ads, it does give them an edge in getting some books reviewed and noticed. It's just big business. |
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08-29-2012, 07:05 PM | #53 | |
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(Just wondering; that whole set-up triggers my "sucker bait" alarms. Maybe I'm too sensitive.) |
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08-29-2012, 07:41 PM | #54 | |
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If I found out that a magazine we subscribe to was accepting payments for reviews, or favoring advertisers, this would drastically reduce the chances I would renew. As for Kirkus and Publishers Weekly, I know that a lot of excellent reviewers work with them. And I can see the practicality, for an acquisitions librarian who has to make multiple daily buying decisions, to have sources of brief reviews. But, personally, I ignore them. |
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08-29-2012, 07:53 PM | #55 | |
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Would you equate an political editorial in your local newspaper with a TV ad from a political action committee? |
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08-29-2012, 08:26 PM | #56 | ||
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This is one BMFD issue. It's not news. It does not "reflect badly on all indie authors" any more than a Big Mac commercial reflects badly on all restaurants, except to those who don't know any better. I know better. And if I thought I could entice my book buyers to leave reviews, pro OR con, by offering a partial or even a full refund to those who could show me they'd done it--a method I'd like to think would be a bit more above-board than Kirkus and Locke's method, but hopefully achieve the same results--yeah, I'd give it a shot, too. And go ahead, tell me how you'll never buy my books ever again... considering no one's buying them now, I'm not losing much... |
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08-29-2012, 09:28 PM | #57 |
Grand Sorcerer
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You don't see the difference between an ad and a review? Seriously? If Locke or any other "author" wants to buy advertising space, fine, go for it. The problem here is that the advertising is masquerading as someone's legitimate, critical judgment. It's a lie, a deliberate, out-and-out lie. It tells me both that the author is morally bankrupt and that the author has no faith in his or her own work. And I should turn around and support this charlatan because ...?
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08-29-2012, 10:03 PM | #58 | |
Maria Schneider
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Many authors have admitted to not reading the books they have blurbed. Many have said they've been pushed to do so. Some refused, some didn't. Many reviews may not intend to be an advertisement, but they dissect the book in such as way as to extol its virtues or explain its failings. Much as an advertisement attempts to do. In an ideal world an editorial would be an editorial. But for the most part they are an attempt to sway public opinion and extol or deride a particular candidate or ideal. Very seldom do they stick completely with facts and they use well-known techniques to "lead" the reader to specific conclusions. |
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08-29-2012, 10:23 PM | #59 |
The Night Was Moist
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08-29-2012, 10:34 PM | #60 |
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