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#31 | |
Wizard
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I know people who work in the publishing industry. I've asked them how much they think an author should gain from the sale of their work, and it always boils down to less than ten percent of the sale price. That's just not good enough. We consumers know that authors need to eat. We value their work and we want to reward them for it. But that becomes pretty hard to justify when you find out that the vast majority of what you pay is actually going into the pockets of middle-men who invested nearly nothing in the creation of the work you're reading. The real problem that the IP industry faces is its vast inefficiency. It is infested with hangers-on who have no purpose other than to nibble at the cake. Copyright is fundamentally an issue of respect. If I respect what you do, then I should pay you for it in the hope that you'll do it again in the future. Copyright has become corrupted by the fact that only a tiny fraction of what I pay actually goes to the person whose labours I wish to reward. |
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#32 | |
Wizard
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If the former, depending on the price, perhaps the author should get more than 10%... there might not be much more profit than that though. If the latter, less than 10% is probably perfectly reasonable until the publisher's expenses have been recovered along with some profit. But, I'll grant you, there should definitely be a point (or volume of sales) after which the author's share should come to approximate an equal share of the profits with the publisher. Probably not more... given that the author can basically sit pretty and do nothing if the sales are that good, whereas the publisher keeps printing/supplying/shipping/receiving books, doing accounting, doing promotion (at least for books that sell so well/so consistently), et cetera. Authors definitely get screwed over by publishers... but let's not pretend most authors have either the money or the knowledge or the competence (at those things) to do all the things their publisher does for them. (Things that may amount little for a small time author who isn't particularly successful, a category writers are less likely to put themselves in than they are to put their publishers in the "evil publisher" category.) - Ahi |
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#33 | |
Grand Sorcerer
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Getting 100% of the profits isn't as meaningful if you can only spend 1/10 of your time producing profitable work, and the rest of your time is spent on admin & distribution. |
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#34 |
Wizard
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Location: Maryland, USA
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#35 | |
Wizard
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Location: Maryland, USA
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File sharing is not the same as sheet music printers. The basic issue is that printing (prior to 20 years ago with the advent of laster printers) has always been relatively expensive. That meant that those who printed copyright work were relatively few and could be reasonably sued if they violated copyright. File sharing on the other hand has the potential of creating a culture where people (and you appear to be already there) believe they don't need to compensate the creator of the work for the effort they put into it. File sharing is cheap and easy and thus anyone can do it. As the music industry has already learned, once the culture becomes entrenched, it becomes very hard to stop. -- Bill |
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#36 | |
Wizard
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Location: Maryland, USA
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Yes, most novels (substituting it for books) are not not meant to educate... in fact I have never had much time for novels that are meant to educate. And to invoke Sturgeon's law, 95% of them are crap. But 5% of them are worth reading and remembering. In any case, to my mind, complaining about what the publishing industry is currently publishing (in this thread) seems to be more a rationalization as to why one shouldn't feel guilty about illegally sharing books. I agree with a lot of what people in this thread have said about middle men, and authors getting too little for their efforts. That being said, the current system at least gets the authors some compensation. Illegal file sharing does not. -- Bill |
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#37 |
Wizard
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The problem is "modern kings" tend to favor those artists with good political connections, not necessarily the best. We would just be shifting the selection process from the general public to a few politicians (not necessarily people who are in a position to judge the value of a work of art). And, remember, you couldn't support the ones you like, you would have to lobby for the ones you deem worthy with the "powers that be".
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#38 | |
Wizard
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#39 | ||
Wizard
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Device: Kindle Voyage, PW Signature edition
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Some of them being so bad that the simplest solution for a lot of people with the proper version was to get a cracked version that disabled the cd-check and if they have had to take that step then whats the next likely one for them to take next time round? |
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#40 | |
Wizard
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Maybe if the publishers took the novel approaches of trying to give their customers what they wanted and treating them with a little respect rather than as potential thieves then that's likely to have a far greater influence on piracy than stronger restrictions that would only be seen as a challenge by some anyway. |
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#41 | |
Wizard
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#42 |
Connoisseur
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Music... that industry had more time and harvested more experience on the internet / file sharing paradigm. They kind of adjusted (not that well, as such industries are big enough not to do swift actions) and now you can buy each song for less than 1 U$S. There are also other selling schemas being tested, including the "pay a fixed monthly fee and download all you want".
Now: what is more costly on the creative / human side ? creating a music theme or writing a novel ? I would say that it depends, but there are instances, surely, in which both actions could be leveled. I know a novelist might be writing for months. On the other hand, musicians often work together, and also burn many man-hours. Anyway ... books on the internet are still on an early stage. We won´t see the pay a fixed fee, download all you want (I don´t think it would be a good idea for books), but maybe authors will grow accustomed to publish their own books by themselves on specialized websites, that would take a big bite (10% 15%) of the book cost (but no the other way around as now happens with current publishers, who LEAVE to the author 10% or LESS). to sum up, Music industry is already (perhaps badly) adapting. Movies industry is also adapting: As I understand there is an official website (sadly enough available only for northamerican users) that allows you to download first rate movies, for a cost similar to a ticket movie). Speaking of wich, other situation to throw in is the "sadly enough only for northamerican people". This means that the system is adapting to a worldwide phenomena as internet, in a local manner. SO happens with Kindle. Amazon is having a hell time to coordinate and enable its magic to work "internationally". We are not there yet folks. This will take lots of years. All I know is that the same book you but at -say U$S 10- down here, where probably publishing costs are LOWER- may cost U$S 20 because of publisher "fees". I know that publishing houses that got branches in different countries, have different pricelists. I Know that amazon allows to circunvent such thing: I buy in amazon, send those books to a friend´s house or a "private p.o. box" that then sends them to me down here, and on the bulk (3 or 4 books) I save money. I know that publishers are not at all happy with such thing. They cannot easily stop amazon. But to other internet books sellers, which can be bullied in an easier way, they (the publishers) Monitor them, their sales, their websites, in search of "global pricing policies" and censors them. This last paragraph I can vouch to it: I designed at least two literature selling websites. One is big enough for the "inconsistencies on selling worldwide from one country" to be a concern. Is this OK ? I dont know. IT certainly feels awkward and / or weird! I feel like the publishers want to force a "no loss for us" policy. If we people have a new way of spend less on the same book... well... they dont like that, they "unite" crossing country boundaries, and they try to force you to leave your money on the LOCAL branch, because it would report them more earnings. You see... for a start internet is global. The establishment "mob" is local. Regards, Enrique. |
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#43 | ||
Banned
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There's a simply choice - either business models can adapt, or the book industry can end up in the same situation as the music industry where regardless of the threats made, a third of a generation has no intention of ever compensating them for their products. Microsoft have talked about how you can't realistically hope to contain darknets. Also, iTunes is responsible directly for some of the decline of the music industry. How? It's broken the concept of "album". Filler tunes no longer sell. HansTWM - Eh. The BBC's products tend to do pretty well here (and indeed, worldwide). I'm going to suggest poor production values for Government-owned German TV rather than anything inherent in the concept. |
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#44 | |
Wizard
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![]() And yes, BBC has a lot of great shows -- I would call this a laudable exception. |
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#45 | |||||
Wizard
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The virtue is that it now forces artists to make sure that every song is a good one... Quote:
I enjoy quite a few BBC products, but then quite a few BBC programs pander to popular tastes (In no way shape or form can Dr. Who or Coupling be considered anything other than popular entertainment). |
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