09-29-2016, 09:51 PM | #31 |
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Yes, the PDF is good but you are interpreting it incorrectly in what it covers. It would fully cover a derivative work such as a translation or writing a movie script form a book but not just formatting. I would suggest you use CC (creative commons) to attach to your book. It may be enough to keep some, but not all for taking the book but will at least protect it against someone else taking credit for it by claiming they did the work.
Anything you add is copyrightable but only the part you write. |
09-30-2016, 05:04 AM | #32 |
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How is CC any different (let alone any more protection) than adding in a copyright notice? I can see where it would help if your intention is to truly just give away your work freely, and let anyone do whatever they want with it -- if only to make it very clear that you're giving everyone the right to do so -- but if your intention is to protect yourself from people doing so then I don't see how it would offer anything more than a simple copyright notice would.
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09-30-2016, 12:51 PM | #33 | |
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09-30-2016, 04:14 PM | #34 | |||
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On the other hand, though, for the various Shakespeare poems (as well as the two works by other authors), there were all newly-transcribed by myself from original sources, with various corrections made along the way (which other transcribers have not done, from what I've seen), and thus these changes are "new," "original" and "significant," and thus merit my own copyright. Wouldn't you think so? I can thus not only retain copyright over not only those various poems (by Shakespeare and others), but also over the entire collection (book) -- which is similarly thus "new" and "original" -- as a whole, too. Again, wouldn't you think so? If I've learned anything from this discussion right here so far, that is, in fact, perhaps the most significant thing that I've learned. In any case, I fail to see how adding in a CC license to my book offers more "protection" than a simple copyright notice, let alone is somehow "more legal." I was looking at the CC website, specifically at their "Choose a License" page, and it would seem that whether I went that way (CC) or the "copyright" way -- or both -- either way if I post my book here to MR then I would still have to clarify that it's okay to download my book from here for free, but that I don't want people just appropriating it as a "free giveaway" on their own websites (for their own self-promotion), let alone stealing my efforts (code) and then slapping their own name and a price tag on it. Neither a simple copyright notice, nor a CC license, is explanatory of that -- and even if I do add in additional explanation of those restrictions on sharing (or "stealing"), it's still not a guarantee that others won't do so, of course. Quote:
Sorry if I'm (over-)complicating all this! That is my problem sometimes -- perhaps that's why it takes me so damn long to make my books, actually. |
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10-01-2016, 07:28 AM | #35 | ||
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Maybe you can claim some kind of authorship or protection on the packaging (formatting, markup, etc.), but the text remains public domain, anyone is allowed to copy the text, with all your changes and corrections. Quote:
Last edited by Jellby; 10-01-2016 at 07:31 AM. |
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10-01-2016, 07:33 AM | #36 | |
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10-01-2016, 08:01 AM | #37 |
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Here's a screenshot of just one of the pages (or, rather, two-page spread) from my book. Please tell me why I don't deserve copyright. :/
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10-01-2016, 08:11 AM | #38 | |
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And yet, nobody is saying that. Publishers don't say that, Thoreau scholars don't say that, nobody at all says that. Anyone interested in Thoreau's writings understands that those Princeton scholars retain copyright for their efforts. Similarly, I can retain copyright for my efforts as well. If you don't understand that -- even if you want to be an "anarchist" and not accept that -- it still doesn't change the fact that I deserve credit for what I have put effort into and accomplished. How can that whole concept be any more simple and obvious? I mean, really. Seriously? Does this need to be rationalized more than the ridiculously obvious? :/ |
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10-01-2016, 08:20 AM | #39 | |
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10-01-2016, 08:42 AM | #40 | |
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10-01-2016, 08:50 AM | #41 | ||
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10-01-2016, 09:35 AM | #42 | |
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That is stated quite clearly in that link that I provided earlier -- and it has nothing to do with any additional introductory essays, footnotes, etc. (which, of course are also naturally copyright their authors). It's astonishing to me, actually, that you folks can't seem to grasp the concept of what is copyrightable and what's not. It seems to me that you're trying to violate international copyright law by promoting some idea that just because something was written long ago, that regardless of any new and original presentation of that work that it's effectively "up-for-grabs." That screenshot I shared here a couple of posts back is a perfect example. Yes, the text on it is "public domain," but my rendering and presentation of it is by no means not. Why in the world we're debating this is beyond me. For one thing it's just, well, the law -- widely accepted in most countries of this world -- but for another thing it's actually in your favour as a book designer. I'm arguing not just in favour of what the law is, but what is common sense. You're arguing against the law, trying to rationalize violating the law, but also rationalizing infringing on peoples' rights, never mind going against basic, really quite obvious, common sense. I'm actually really quite bewildered and baffled by your stance in this. :/ |
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10-01-2016, 10:17 AM | #43 | |
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Given that neither of us seems likely to convince the other of our viewpoint, however, I suggest that we bring this discussion to an end and politely agree to differ. As I said a while ago in this thread, if someone makes use of your book that you believe violates your copyright, it will end up being the decision of a court. |
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10-01-2016, 03:58 PM | #44 | |||
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http://www.copylaw.com/new_articles/PublicDomain.html Quote:
https://www.cendi.gov/publications/0...right.html#225 Quote:
In the meantime, I do stand semi-corrected and newly-informed myself here -- and I'll adjust my copyright notice accordingly (to specifically refer to those revisions I've made to the various texts). |
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10-01-2016, 04:15 PM | #45 | |
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The important part of the text you quoted (which I'm in complete agreement with, BTW) is this:
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Copyright requires a creative element. "Pride and Prejudice and Zombies" is a copyrighted work because the second author has added creative content to the public domain original. The New Folger edition of "Hamlet" is a copyrighted work because the editor has added essays, footnotes, an introduction, a history of the performance of the play, etc. However, what is not a creative process is a mechanical act such as correcting spelling mistakes, regularising punctuation, and so on. That is what I am disagreeing with you about. I cannot claim any copyright in the meticulously proofed and corrected versions of Dickens that I've uploaded to the MR library merely because I've spent hundreds of hours correcting the literally thousands of errors in the PG versions that were my starting point. My work involved no creativity. It would be perfectly legal for me to take my bought ebook edition of the Oxford Shakespeare, copy the text (and only the text) of "Hamlet" from it, and use that text in any way I wish. What I couldn't do would be to re-use any of the creative material that Oxford University Press has added to the public domain material. Unfortunately for you, US copyright law goes not recognise the concept of typographical copyright (i.e. a copyright in the creative layout of the work), although EU copyright law does. Last edited by HarryT; 10-01-2016 at 04:30 PM. |
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