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#31 | |
Grand Sorcerer
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#32 |
Wizard
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I'm not convinced about trend 1. Its worldwide uptake is currently due mostly to government sponsorship. Long term it has a shot but we're more likely to see nuclear power long term. Why? Because solar only works while the sun shines. We'd need an efficient low-cost energy storage method to power your house from solar at night or on cloudy days.
Or are you thinking of a true world-wide grid, where we get solar energy from around the globe? That'd be a possibility if we continue improving high-temperature superconductors. But we wouldn't be off the grid then. Same for orbital generators transmitting via microwave energy (and I'd hate to be in the beam path if it wobbles, lol). |
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#33 | |
Grand Sorcerer
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#34 | |
Cynical Old Curmudgeon
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Authors and publishers would both get the same amount as they do for the physical product. |
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#35 | |
Banned
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#36 |
Grand Sorcerer
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Actually, ebooks (like digital music) have been the subject of micropayment concepts for years. In an abundance economy, the possibility of reducing the cost of a book to a few cents, thereby increasing sales by a presumed factor of 1000 or more, has been debated often. So far, no one has been able to make it work. But I'm not positive that it wouldn't, given an easy-to-use micropayment transaction infrastructure.
(Actually, it wouldn't surprise me if some segment of the porn industry has been able to make it work, but lack of "legitimacy" has kept it from moving beyond porn. Porn is like that.) |
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#37 | |
You kids get off my lawn!
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To wish for a "better" (cheaper) price is pretty universal for many things. It doesn't mean the consumer doesn't value to creator, to a degree. But it's not just books that never seem to earn what they're worth (for most authors). My mother used to embroider...by hand. Then she bought a sewing machine to do it and thought she might be able to make some money from her hobby. She found that - if she tried to apply a living wage to it - no one was willing to pay for what it was "worth" (measured in terms of her supplies, her time, her expertise and care). So she still does it, but for family and for fun. I don't think she tries to sell anything any more. Maybe you meant the comment differently than I read it. If the only way for a favorite author of mine to write was if every books sold for $35, I suspect I'd find another favorite author. Doesn't mean I don't value the author, but it means I have to weigh that value against what I earn, how many books I'd like to read in a month, and how quickly I go through them. I can't afford to read as much as I do at that price. |
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#38 | |
Basculocolpic
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![]() All I stated was that in a publishing economy of abundance, script writing is still one of scarcity. |
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#39 |
Wizard
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Until relatively recently I used to follow a screenwriters newsgroup and my impression is that there's anything but a scarcity of wannabe script writers. What there is is still gatekeepers.
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#40 | |
Guru
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#41 | |
Grand Sorcerer
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Compared to even traditional publshing that puts out on the order of 40,000 titles a year in the US and the UK each. You probably have better odds of winning a lottery than getting a script filmed and distributed. Unless you do it yourself. Joss Whedon comes to mind. Dr Horrible's Singalong Blog. And those were industry *insiders*. |
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#42 | |
Grand Sorcerer
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And of the lesser population that actually reads, even some "book lovers" think nothing of pulling books off of a pirate site, leaving the author receiving nothing for their work... what kind of respect is that? Americans respect books they love. Authors are simply attached to those books, and get recognition based on popularity of their books. Book isn't popular? You're nobody, the work you put into that book was wasted. I've written a dozen books. My friends who know I've written but haven't read my books couldn't give a $#!+ about the effort and accomplishment of my being an author. I should say that this is an attitude I read in the United States in general, it is my subjective impression (I may just hang out in the wrong places), and I don't assume that other countries are like this. Last edited by Steven Lyle Jordan; 03-22-2012 at 09:23 AM. |
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#43 | |
Chasing Butterflies
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![]() The living wage problem is a huge problem, partly because as a society we just don't pay people enough so that they can then turn around and pay artists enough. Even if we went to a system where all books were $35 by law, it wouldn't help the artists because the consumers (who are still underpaid) would have to consume fewer books. We need to pay people enough that they can then turn around and pay artists a fair, living wage. Since I'm currently employed as an engineer with pretty decent pay, I try to engage in "trickle down" as much as possibly by buying indie books and all my accessories on Etsy, but it's not easy. (And it scares my husband, who wants to know what I intend to do with 400 new books per year and why the $50 scarf on Etsy was necessary when one can get a scarf at Walmart for $5. "I'm helping the economy, honey," I say.) |
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#44 |
Grand Sorcerer
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It's too late to add a poll to this thread, but... how many believe that a micropayment system, say, 5 cents for a book, would create such an increased level of sales that it would ultimately bring in more to the author (sales increase by a few hundred to a thousandfold) than a $3-4 book price? Could that create a living wage for an average author? Could it overcome the initial obscurity of an average author?
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#45 | |
Grand Sorcerer
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(1) both author & payer/reader having an account with the same payment processor (whether that's MasterCard, PayPal, or the author's own site); (2) giving a cut to the processor; (3) keeping accounting records--more overhead gone to administration; (4) often, minimum donation levels. The closest thing we have to micropayments is advertising hitcounts. |
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Tags |
abundance, ebook, economy, scarcity, steven lyle jordan |
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