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#31 | |
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#32 |
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I'm not sure that Burroughs invented the story arc form, but he certainly was an early proponent! The Martian (Barsoom) books have the same behaviour, so I wasn't surprised. However, I still prefer the old, 1930's black and white Johnny Weissmuller movies.
![]() Frankly, I didn't think this held up all that well, but then I don't have gmw's perspective of looking back on an old favourite. The racism was about what I'd expected, and no worse than typical for the time. I actually found the treatment of women far more difficult to stomach. |
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#33 |
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This is the second book New Leaf has chosen that has too much racism. Can we please not nominate books with racism in them?
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#34 |
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So am I to understand that Jane reappears in the subsequent Tarzan books and the two marry (legally or otherwise)? Or was that just a movie invention?
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#35 |
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#36 |
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Yes, I think this is true. This is similar to the discussion of The Three Musketeers. What the story has become in the public eye is not quite the same as where it started, and pretty much no one can come to either story without having heard something of them.
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#37 | |
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then you would be in essentially the same position as you were at the end of the first: knowing that something from the book is still to be resolved.
There are bits and pieces that reappear here and there through the books, like the lost city of Opar. (Well, no longer lost, I guess ![]() |
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#38 | ||
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Or is it overall backdrop of white imperialism/white supremacy against which the story is told? But that's a reflection of the times. I might not be sensitive enough to racism, but I am generally sensitive to misogyny, and I didn't have a major problem with the depiction of women, either, considering that the novel is more than a hundred years old. |
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#39 | |||
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#40 |
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I didn’t have a problem with the treatment of women especially in the context of the time period. I thought Jane was pretty brave given the situation of being in the jungle all night after being kidnapped by Terkoz. I didn’t see her as being helpless but rather unprepared for the situations. I thought it was also good that she formed her own opinions about Tarzan and willing to speak up about him to the others about not being as savage as they thought, e.g. staying longer to wait for the French Captain’s return rather than set sail immediately. If I’m lost in the woods and need to survive, I’d be happy to have my husband there to defend me and take care of me because I know we have different skills in different scenarios. I’d probably be pretty hysterical too if I were deserted from my boat and trapped in the jungle and scared of wild animals. I don’t think Esmeralda’s antics were much different than women fainting and having fits in Regency and Victorian novels.
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#41 | |
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Jane seemed pretty brave and independent overall (just going on the expedition in the first place is brave). The men around her, though, seemed condescending and overly protective. She accepted their protection (why wouldn't she, in the middle of jungle?), but she didn't act helpless and fluttery, and she did stand up to them. Her decision not to marry Tarzan is practical and logical, not romantic. She's not letting her heart rule her head. In contrast, Alice is depicted as much weaker and inept, but even she shows remarkable bravery in wanting to shoot the attacking ape. It's a low bar, but Jane is certainly a step up from pitiful, doomed Alice. |
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#42 | |
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Don't forget that Alice did save her husband before she fell apart. |
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#43 |
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Maybe it’s the difference between male and female perspectives. I had the same reaction as Catlady to the ending. I was like really?!?!? I read through all that stuff in the jungle for that to be the ending?! The word milksop didn’t pop into my mind, but it’s basically how I felt.
![]() However, I’ll add that I am still intrigued enough by the story-line to want to keep reading in the series. I’m glad we picked this book. I probably would not have read it on my own. Also I am interested in what others have said about the John Carter series which I did not know about. |
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#44 |
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I am not sure if it's a male/female perspective or just a difference in expectation. If you come at this as a romance (in the modern sense) then the ending is obviously lacking*. But if you come at it as an adventure/thriller (a romance in the older sense) then the ending makes more sense**.
* The meme (the protagonists being too noble/proud/selfless to think of asking each other what they actually want as opposed to what they think is right) is common enough in romance (modern sense again), but usually as an inciting incident in the story (start or middle). To see it used as a reason for protagonists not getting together at the end is that much more of a discord if a modern romantic conclusion is expected. ** But the other way of looking at it is the heroic romance (older sense), where the hero selflessly sacrifices himself for what he perceives is the greater good. This works for an adventure you want left open to continue. As to John Carter ... it's been a long while since I last read them, but I remember enjoying them. I think it worth noting that Michael Moorcock wrote a few books as a tribute to Burroughs' John Carter stories. They are, in essence, I slightly more modern (1965) variation of Burroughs' stories. Moorcock's protagonist is called Michael Kane, and the three books are: Warriors of Mars (aka The City of the Beast), Blades of Mars (aka Lord of the Spiders) and Barbarians of Mars (aka Masters of the Pit). I found them good fun, rather short, fast and furious. Last edited by gmw; 04-19-2020 at 03:48 AM. |
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#45 | ||
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Once she did appear, it was extremely annoying to have her disappear again--I thought that was the weakest and most boring part of the book. It just dragged, with all the details about the traveling and digging up the treasure and language lessons and especially the gratuitous killing of the lion.* Who cares about all that? What I wanted to know was how he reacted to seeing other white women, how he adapted to civilization, and how his perception of Jane might have changed.** I could have bought into the "selfless hero" trope if there'd been more groundwork laid for it, and/or more angst. Tarzan has been completely single-minded throughout when he has a goal, and Jane is his goal. Then he just abandons his quest. A hero can't just abandon his quest! *Regarding lions--what's with Sabor? Tarrzan killed her and skinned her, and then later here comes Sabor again (I think he killed her again, but I'm not sure now). I was listening to the audiobook and thought I must have misheard, or maybe it was supposed to be the apes' name for "lion," but I checked the text and it was capitalized as a name. So why the reappearance? **Since no one's gone there yet, I will admit that I spent some time wondering about Tarzan's sex life, especially before Jane. Obviously ERB wasn't going to go there, but wouldn't adult readers, at least have wondered? Or do I need to get my mind out of the gutter? |
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