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#181 |
Indie Advocate
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I also agree with ditching one of the classic slots especially as the other literary book club has kicked off.
But I'm going to ride my own pony and suggest a theme which is specific to independent authors. Eg. Free-for-all genre restricted to independent/self-published authors. |
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#182 | ||
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As for "Classic", we could try to put a definition on that by original publication date, and (maybe) popularity. |
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#183 | |
o saeclum infacetum
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![]() Off the top of my head, what I'd like is to retain two classic months, but make one pre-20th century and one 20th-century only--if a change is felt necessary. |
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#184 |
Nameless Being
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On the subject of classics. Yes, the term does mean of a certain age and of a level of quality and importance that enough people still know the book and will nominate it and vote for it. There is no such thing as an “instant classic.” That's just a book someone really likes a lot and thinks will achieve the status of a classic. In the early 1970s Jonathan Livingston Seagull sold millions of copies, but looking back at it know it would be an embarrassment to read. I'd say to be a classic the book should have been published at least 50 years ago. I like the idea of two months devoted to classics or I think we will find the book club selections will be dominated by recent books. Robinson Crusoe is considered to have been the first of the novel genre, meaning we have at least 300 years of literature to draw from.
I would not mind including an children's/YA category, but then to my mind that includes some very good books an adult could also enjoy. Laughing Boy by Oliver LeFarge, Johnny Tremain by Esther Forbes, and Rifles for Watie by Harold Keith come to mind of the top of my head. I read these the first time in late grade school, but after just completing Riders of the Purple Sage here as a monthly selection I see no great incongruity there. Looking at the list of monthly categories I do have a comment. July Fantasy (trees/magic) why the trees/magic qualifier? Surely fantasy extends far beyond just that? Anyway looking at the list it does not look at all broken. If I was to suggest a new category it would be a category for plays, that is works originally written for performance on stage. That could include everything from Shakespeare, through Tennessee Williams, to Mamet and beyond. Last edited by Hamlet53; 05-30-2011 at 11:16 AM. |
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#185 | |
Bah, humbug!
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#186 | |
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#187 |
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Is this an opt in and out thing, or is it more in for a penny, in for a pound? If I want to opt out of sci-fi and YA, is that okay to participate in the others?
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#188 | |||||
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As for plays, I do think that could be a difficult selection. |
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#189 |
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#190 | ||
o saeclum infacetum
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As for the definition of classic, I think Justice Potter Stewart's definition of pornography holds: I know it when I see it. I think most people do. There might be some quibbling at the margins, but the canon is standard enough for nominating/voting purposes. |
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#191 |
Bombers win four straight
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Here is an extensive list of authors that we could consider for a pulp fiction month.
http://en.wikipedia.org/wiki/Pulp_magazine We could also consider websites that specialize in pulp fiction such as http://www.munseys.com/ |
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#192 | |
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The problem with classics is that a lot of them do not hold up well and thus should no longer be classed as a classic. |
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#193 | |
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#194 | |
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There's a few indie books on my wish list that are not science fiction or fantasy. How about any indie book EXCEPT those in the SFF genres. ![]() |
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#195 |
Grand Sorcerer
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If it's limited to new self-publications, rather than re-releases of formerly published books that the author's reclaimed the rights for, the SFF skew might not be so bad. (That starts getting into complicated rules for what should be simple categories, though.)
If some months are categorized by content-theme (mystery, romance) and other months are categorized by publication status (classic, indie) there's going to be room for crossover. I think "classic" should have a definition; potentially "public domain" or "would be public domain under the rules it was first published under." I'm not sure it's a classic if there's no evidence people care to read it 50 years later. (I'm sure the Harry Potter books will be marked as a noteworthy cultural phenomenon in another 50 years; I'm not sure people will still be pushing them at kids as Important Literature.) "Indie" probably needs some kind of definition as well. "Self-published" is easy; "Indie" is not. How small does a publishing company have to be to be "independent?" Another potential category is "new books"--first published within the last 3 years. Or within the last year. |
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